The Story of Film presents the history of the movies in a way never told before. Mark Cousins's chronological journey through the worldwide history of film is told from the point of view of filmmakers and moviegoers. Weaving personalities, film technology, and production with engaging descriptions of groundbreaking scenes, Cousins uses his experience as film historian, producer...(展开全部)

From Michael Cunningham, the Pulitzer Prize-winning author of "The Hours," comes this widely praised novel of two boyhood friends: Jonathan, lonely, introspective, and unsure of himself; and Bobby, hip, dark, and inarticulate. In New York after college, Bobby moves in with Jonathan and his roommate, Clare, a veteran of the city's erotic wars. Bobby and Clare fall in love, scutt...(展开全部)

From Michael Cunningham, the Pulitzer Prize-winning author of "The Hours," comes this widely praised novel of two boyhood friends: Jonathan, lonely, introspective, and unsure of himself; and Bobby, hip, dark, and inarticulate. In New York after college, Bobby moves in with Jonathan and his roommate, Clare, a veteran of the city's erotic wars. Bobby and Clare fall in love, scutt...(展开全部)

A pioneer in the field, Christian Metz applies insights of structural linguistics to the language of film. "The semiology of film . . . can be held to date from the publication in 1964 of the famous essay by Christian Metz, 'Le cinema: langue ou langage?'"--Geoffrey Nowell-Smith, "Times Literary Supplement" "Modern film theory begins with Metz."--Constance Penley, coeditor of...(展开全部)

Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. Thus argues Vivian Sobchack as she challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to a victim of a deterministic cinematic apparatus. Maintaining that these premises ignore the material and cultural-historical ...(展开全部)

Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. Thus argues Vivian Sobchack as she challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to a victim of a deterministic cinematic apparatus. Maintaining that these premises ignore the material and cultural-historical ...(展开全部)

The Analysis of Film is at once a book about the methods of close film analysis, the narrative structure of Hollywood film, Hitchcock's work--The Birds, Marnie, Psycho. North by Northwest--and the role of the woman in western representation. But, finally, it is a book about cinema itself and the love for cinema that drives the passion for analyzing the supreme art form of the ...(展开全部)

This new edition of The Story of Film, published to coincide with the fascinating 15-hour film documentary airing in September 2011, updates the most accessible and compelling history of the medium yet published. Film critic, producer and presenter, Mark Cousins shows how film-makers are influenced both by the historical events of their times, and by each other. He demonstrates...(展开全部)

The Analysis of Film is at once a book about the methods of close film analysis, the narrative structure of Hollywood film, Hitchcock's work--The Birds, Marnie, Psycho. North by Northwest--and the role of the woman in western representation. But, finally, it is a book about cinema itself and the love for cinema that drives the passion for analyzing the supreme art form of the ...(展开全部)

Elseworlds系列的开山怪！Mike Mignola的早期经典！维多利亚时代的歌谭市，蝙蝠侠的对手是神秘的连环杀人狂开膛手杰克，当布鲁斯·韦恩被作为凶手关进监狱，他将如何找到真凶？